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| Isabella (1519-1559), Queen of Hungary, attributed to workshop of Lucas Cranach |
This month, I attended a conference in Budapest, to mark the 500th anniversary of the birth of Isabella (1519-59), a Polish-Italian princess and Queen of Hungary. In spite of the tsunami of books and novels on Renaissance queens in recent years, Isabella’s dramatic life is still surprisingly little-known outside Hungary itself. Raised at the Cracow court at the height of the Polish Renaissance, Isabella travelled south in 1539 to marry King John of Hungary: only to find herself, just 18 months later, widowed, with a new-born son, and an Ottoman army led by Sultan Suleiman I surrounding her capital of Buda. Via many twists and turns, she came to rule the new principality of Transylvania for her son, as the Sultan’s vassal.
Isabella was a highly international 16th-century
figure, continually crossing borders, and this conference, organised by the
Hungarian Academy of Sciences, also involved much border crossing, with
speakers from Poland, Slovakia, Romania, Finland and the UK. Isabella has fallen between the cracks of different national scholarships,
but an international conference like this can start to put the pieces back
together. Attending the conference programme put together by Dr. Terez Oborni
and Dr. Agnes Mate was like watching a new biography of Isabella write itself
in real time – as chapter after chapter of her life unfolded before us, reconstructed
by experts from sources and archives all over Europe. In the ornate halls of
the Hungarian Academy of Sciences headquarters, a 19C academic palace on the
banks of the Danube, we spent two days conjuring up Isabella’s Hungary, where
great geopolitical and cultural forces clashed in the mid-16C – surrounded by
paintings of medieval castles, and listening to a performance of 16C Central
European music on period instruments by the Musica
Historia group.
It
was hard, during this wonderful conference, not to notice also the modern-day
political forces at work around us. The conference coincided with an
international dispute over a new poster-campaign by the Hungarian government:
the posters in question, showing George Soros with Jean-Claude Juncker, were
prominent all over Budapest during our stay. The conference also took place
during a serious crisis for the Hungarian Academy of Sciences, our hosts – the
Hungarian government is poised to close or take direct control of its network
of excellent research institutes, a move which has drawn international protest,
including from the UK’s British Academy, as an assault on the fundamental
principle of academic freedom. Staff of the Hungarian Academy of Sciences have
appealed for international support. Hungarian historian colleagues and friends
now find themselves on the front line of this dispute, their research projects,
jobs and careers suddenly uncertain. Historians are a tellingly early focus for
populist regimes – as we see in clashes over the Poland’s Museum of the Second
World War in Gdańsk, the Polish Jewish Museum (Polin) in Warsaw, and now in
Hungary.
In
the 30 years since 1989, we have made real progress in integrating the rich
history of Central Europe into our wider histories of Europe, after decades of
intellectual separation in the Cold War. Scholars working in Budapest have been
key to this – both those at the Central European University (also now under
sustained and grave governmental attack), and at the Hungarian Academy of
Sciences, who have written reams of excellent work, opening up their country’s
past to international audiences. Back in Oxford tutorials, my students sat
grim-faced as I explained how historians were under government pressure in
Hungary, certain areas of teaching banned, and that we
should seize in both hands the intellectual freedoms we have. EU expansion,
migration and the Brexit crisis have, I hope, by now given the lie to
Chamberlains’ infamous words of British indifference to Central Europe in 1939:
we can no longer say that this is ‘a
faraway country of [whose people] we know nothing’. As Isabella, the half-Italian
queen of Hungary shows, the history of Central Europe is the history of Western Europe, in the Renaissance, 20C, and
today alike.











